davidc wrote:OK back in front of a computer now
The sharpening - I was initially quite pee'd off if LR was applying sharpening without me knowing about it but looking into it, the default setting for sharpening is "off". Still, is there a way for a more precise application of raw conversion sharpening other than "glossy" or "matte"?
The sharpening in Lightroom is based on Photokit Sharpener, which has been licenced from PixelGenius and is designed to apply intelligent sharpening. Aside from the two paper options, it is also possible to sharpen for the screen. Since people's tastes in sharpening differ, there are options to apply different strengths, ranging from Low, through Standard to High. Personally, I have no issues with it and leave everything in the Standard mode for the relevant media. As much as anything, it saves the hassle of having sharpened and unsharpened versions of images. If your mileage varies or you want to do selective sharpening, then you still have the option of your sharpening tool of choice in PS or wherever and leaving LR sharpening turned off.
http://pixelgenius.com/sharpener2/davidc wrote:In the end I tried reprocessing the image in my existing ACR > PS workflow, adding in the same color efex pro step too. I think that this version is better although have noticed the greenery now looks "even more green" - closer to what I saw but still noticeably different to my eye.
Over the last few iterations of ACR, Adobe has made a couple of major improvements to the processing. In LR3/CS5, it introduced a new processing engine, but left the controls the same. Then, in LR4/CS6, it changed the controls and these can have totally different effects to what you might have been used to. This might explain why you are seeing differences in rendering. Adobe has left the old algorithms in place, so you can specify which process you want to use. The original 2003 which goes up to LR2/CS4, 2010 for LR3/CS5 or 2012 for all subsequent versions.
One of the benefits of using LR5 is that you get the latest ACR processing, but do not need to upgrade your image editor if you do not need the latest enhancements. LR also has some comprehensive colour adjustment options, which I have been using recently trying to recreate the hue I saw on a Morning Glory which was not right OOC.
davidc wrote:I think the main improvement is in the quality though, this image is now tens of MB as opposed to only 2mb and the jpeg artefacting isn't visible to my eye. I can only assume the oversharpened effect you saw was due to this low resolution, I don't think this version looks oversharpened? Which is ironic because this time it's sharpened it in ACR and in photoshop which is MORE sharpening than I knowingly applied earlier!
A while back, a guru called Bruce Fraser wrote a book on his findings about sharpening. If you want to know everything there is about sharpening, or simply have trouble sleeping, this is the book for you. Bruce espoused the idea of pre-capture sharpening at Raw conversion as well as at final output and Adobe incorporated this into ACR. When Bruce died before the book could be updated, Jeff Schewe did the revisions. Jeff is also one of the people behind the Photokit Sharpener used in LR, which is one of the reasons why I have faith in its abilities since he has an incredible breadth of knowledge where matters relating to image quality using Adobe's products are concerned.
davidc wrote:The old link has disappeared because I replaced the image on flickr with the new one - I assumed the link would simply point at the new image but it's given it a different URL completely.
Overall I much prefer this new version and will need to iron out the wrinkles in the LR-based process so I can get the same quality of output.
I cannot find the new image. Can you post a link.
There is bound to be a learning curve with any new piece of software before you start getting the results you want, especially one that is as functionally rich as LR. Many people, pros as well as amateurs, are using LR in their workflow, so I would be surprised if there are any major processing issues.
davidc wrote:I had a quick look at the noise reduction tools in LR and will have to compare them with imagenomic's results. In general though I find imagenomic to be extremely good so LR has quite the standard to beat. If I get time I'll post a comparison.
LR does not force you to use its NR, but I find it more convenient to do everything in one place and with as few processing steps as possible to maximise image quality. Unless Imagenomic shows marked benefits, I would stick to Adobe's NR.