That leaves me with the same quandary as I had last year, when I put in in some tat simply to make up the numbers and another member got upset with me for not submitting my best work, even though it would have been wasted in respect of the competition. It seems a shame to do that again this year as we have by far the best judge of the season, for either print or DPI, coming to look at our work. Instead I have delved into my back catalogue and found some shots which I liked at the time, but due mainly to a lack of post processing skill** could not do much with. Two are definitely not the style of image that tends to well in camera club competitions*** and ordinarily I would not want to risk using them, although I do not kid myself that they are good examples of "fine art" either. My aim is to give the judge something a bit different to look at and see just how well, or badly, that type of work fares. It is also enjoyable looking at older work which brings back memories, as well as yielding the odd**** image which was overlooked at the time.
* No reflection on the judge. I submitted the same image to the SPA Biennial and it got the lowest score in my entry. 8 on both occasions.
** Improvements in software have helped as well.
*** Chocolate box.
**** In both senses, probably.
